Here are samples of ‘Debug View Art’ from a project we recently finished at Dpt.
Our client wanted a physical and interactive presence in selected concert hall lobbies before and after each show. We developed an air instrument (piano and guitar) installation where users were able to ‘control’ the visuals and the music through simples hand gestures alone. We used both a Leap Motion and a Kinect sensor devices as input.
Elie and I used much of our heavily modified fork of ofxParticles and of course the inevitable ofxUI. We also received amazing help and OpenGL tips from James Acres. Read more
TEDxMontreal approached our studio to create and to produce their graphic identity for their 2013 event at the SAT (Société des Arts Technologique). We were asked to convey the idea of human connection and knowledge sharing. Here is a quick view of the unfolding process to product we engaged in for this project. Read more
This year MUTEK commissioned our studio to develop their identity and campaign for the 14th annual festival; a five-day event in Montreal in late May and early June. Each year, more than 100 artists, panelists, and industry professionals participate in what has become a leading event of its kind in North America.
We also created an interactive projection mapping installation, called deFRAG, that ran every night, from dusk until 3 AM. Festival-goers could interact with the projection on their mobile phone via a web app that connects to the installation. Read more
Échos is a participatory and interactive installation that challenges our perceptions and enhances the richness of the French language through places and emotions.
This installation takes the form of a giant lenticular screen surrounded by four booths. The central structure has four distinct viewing angles, on which curated films by 12 filmmakers from around the world and video responses left by visitors are simultaneously broadcasted. The booths allow guests to watch the films individually and to record their own video messages. Read more
Installation produced at Dpt. in collaboration with Baillat Cardell & fils for Ubisoft Montreal and Ubisoft Quebec. The version for Montreal was setup in a shipping container and for Quebec, we tweaked a few things and added mirrors, a lot of them! Read more
Time-lapse of the assembly and inauguration of the installation Barcode at Berri UQAM subway station in Montreal. The installation was presented from the 16th to the 26th of february.
Time-lapse by Anne-Marie Lavigne
“Barcode was born of an encounter between Arte and the NFB – two public cultural institutions that have taken a lead in interactive creation. The common goal is to employ interactive media in an exploration of the everyday objects that surround us…Featuring 100 short films form, the work of 30 directors from Canada and France, Barcode is a trilingual interactive website, iPhone app and gallery installation – an ambitious exercise in transmedia and transcontinental culture.” – http://codebarre.tv Read more
We were one of the top three most visited studios with 590 visitors during the Design Montreal Open House. Once again, we showcased work produced during the past year as well as with additional interactive prototypes.
One of the prototypes was a small projection mapping installation using live animation presets that visitors could trigger using a simple yet colourful controller. Read more
Here is an edit of the projection mapping I did for Sam Robert’s Band “I Feel You” official music video. The video clip was directed by Dave Pawsey and Jonathan Legris and produced by Sacha Baylin-Stern.
The projection mapping was created using a custom tool built using openFrameworks, and controlled live on set. The massive structure was designed and built by Lucas Wareing and Oopey Mason. Read more
Quick video of Peptone at Place des Arts for Nuit Blanche Montreal, last Saturday (2011.02.26). We got around 900 calls from approximately 400 unique players.
Cells, Phoned: Peptone
“Local design firm Departement, specialists in interactive media, plugs in and powers up Peptone, their digital “ecosystem,” on big screens in the halls of Place des Arts. Using your cellphone, you (like several dozen others, concurrently) dial up to create a lumpy little organism and whoop ’n’ holler into your phone to keep it alive—but beware, the same noise that sustains the lil’ bibitte also attracts toxic bacteria! Special “combo” numbers afford extra life points to keep the creature wiggling and wandering.” – Rupert Bottenberg – Montreal Mirror – February 24 2011 Read more